Elisabeth Vigée Le Brun by Genevieve Haroche-Bouzinac

(4) To be fair, her name is notĮntirely unfamiliar, primarily because Denis Diderot reviewed her work Have been repeated indiscriminately if Madame Vien were not so utterlyĭisregarded in the history of art. Her husband's tutelage or a seven-day variance in the date of herĭemise are relatively small matters, but these inaccuracies might not Passing on 4 January 1806, not 28 December 1805. Vien's autobiography makes no claim that his wife was his pupil įurthermore, the most reliable source for her date of death reports her Sources are intentionally limited to summaries of artists' livesĪnd work, yet they typify the depth of consideration that Madame Vien Works and correctly lists the year of her birth as 1738. The same biographical details but omits information about her specific Benezit's Dictionnaire critique etĭocumentaire des peintres, sculpteurs, dessinateurs et graveurs provides 1), in Thieme and Becker's Allgemeines Lexikon derīildenden Kiinstler. So reads the entry for Marie-Therese Reboul, commonly called Madame (13 sheets), after designs by her husband. Honorary member of the Roman Accademia di San Luca. (Reception piece: Cock and Hen, Louvre, Department desĭessins). Student of her husband and the Accademia di San Luca in Rome. 1805, idem, wife of Joseph Marie Vien (pere). (flowers, birds, shellfish) and etcher, * 26 Feb. Vien, Marie Therese, born Reboul, miniaturist and gouache painter APA style: Present but absent: the art and life of Madame Vien.Present but absent: the art and life of Madame Vien.' Retrieved from 2014 Southeastern College Art Conference Review 22 May. MLA style: 'Present but absent: the art and life of Madame Vien.' The Free Library.

Elisabeth Vigée Le Brun by Genevieve Haroche-Bouzinac